A few words on Bill Drummond’s The Man, taking in Big in Japan, Zoo Records, The Timelords, The KLF, The Triffids, Bar/None Records, The Wild Swans and Herbert James Draper’s 1898 painting ‘The Lament for Icarus’. In a recent post about Kathy McCarty’s Dead Dogs Eyeball (Songs of Daniel Johnston) I mentioned that in 1994 at the time of its release the only Bar/None records in my collection were They Might Be Giant’s self-titled debut and Bill Drummond’s The Man.